This little girl. She's 4 1/2 months old. I'm prone to say I didn't realize how alert she wasn't, because of how alert she IS -- more and more -- every day.
It's gradual though, and that's one of my favorite things about this whole baby business. Sure -- everybody says it goes so fast and I know that's true. Of course that's true. And that's why everything, even the good things -- especially the good things -- I call heartbreaking. But I'm so glad that Microsoft or Amazon or CBS or Google haven't figured out a way to speed up the maturing of a human child. Because that means the ball is in my court. To pay attention, that's my job, I guess. It's a miracle by any measure; but many days -- as many as I can muster -- it's indescribably delirious. And I look for that balance, as a chronicler. The balance between chronicling and being present. Again -- I'm grateful for photography because that takes care of a lot of my part of the equation.
But I don't think so. The first time I played guitar in front of my daughter, just a few feet away, she kept nearly losing her balance in her sitty-seat, flailing her arms, and almost trying to dive towards the guitar, eye wide-wide open. My playing has never previously had this effect. It's also worth mentioning that this has utterly invigorated my previously-flagging guitar practice (along with the replacing of my full-size pro-fessional guitar with an Amigo kid's guitar. It's magic for both of us, it seems.)
Let's be clear that it's extra-gratifying. When I play guitar for Libby Lee, I like to think that one day she'll explain, on national television, that her incredible musical talent was informed at an early age by a dad who played guitar for her, albeit in a cute and amateurish fashion.
Finally, this new guitar gig I have gives me the opportunity to learn all -- rather than just some -- of the lyrics to songs like "Beauty School Drop-out," or "Love is Strange" (or make up lyrics when in doubt).